This article is devoted to analysis of the philosophical foundations of figurative and narrative structure of the novel by V. Aksenov "Moscow-kva-kva". The work is the latest phase of the creative evolution of the writer, which is indicative of typical for this period the design of the text within the socio-historical and philosophical discourses. Due to the fact that the novel is dominated by modernist aesthetic dominant, while Russian modernism is largely guided by the Russian religious philosophy, efficiently will consider the reflexive text in this paradigm.

The subject of study is the representation and functioning Sophian features in the form of the novel the main character - Glykeria Novotkannaya. The purpose of this work - the consideration of functional features Sophiological motives in "Moscow-kva-kva". The article reveals the main components of Glykeria’s image: dual-ness, ethereality, features the Virgin, shows the image is embedded in the syncretic in genre sense, novel structure, as well as it functions in time-personal mythological systems, on which the text is constructed. The article concludes that scene, figurative and expressive and mystical level, the author does not see a way out of Russian state postapokalipsis of emptiness, unable to be filled by anything, ever. Inability Russian messianic function and the impossibility of becoming a utopia embodied in the text - return to Sofia-Glika in first principle.